Friday, May 20, 2011

Dear Brother

I am terrified of losing control,
insecure and selfish. Were you?
I am self-conscious
of what I do when I black out,
but I’ve never worried about
getting older. Would you? I have a shy bladder
even when pissing next to friends.
I wonder if you ever had that problem.

My little brother was once attacked
by a dog he was petting; kneeling
in the dirt next to a wooden pole where
the dog was tied, she jumped at him
without even a growl and bit a hole
in his eyelid, among other things.
Sometimes dogs can scare me
because I remember my brother
and the hole which let him cheat
at hide-n-go-seek;
as the adrenalin pumps through
my terrified veins, I yell at the top
of my lungs and run straight
at the thing. It always runs away.

I am getting older, but you died at fourteen -
Not from a dog attack, but
from a migraine and a broken heart -
I would often find myself
afraid of the dark inside your old room;
even though dad repainted the walls,
replaced the furniture, spread
the ashes at the family farm
in Oklahoma - the last in the house to go to bed,
up a set of stairs, a couple turns,
a squeaky hinge, and the light switch
teasing me, whispering the terrifying sight
in my ear of chrome-plated .357 with a black
handle, sticky with crimson fingers
reverberating a smothered echo
that shakes our family’s very foundation even over
a decade later - the switch mocking tragic dirge,
feeling the weight of the instant the silent night
breaks by the hammering switch
lighting the new scene of my dead brother’s
death room - painted walls,
new furniture - the same room
you never saw.

My little brother didn’t always do well in school,
and I didn’t always try.
I’m admittedly terrified of math because
I don’t understand it; I get nervous
when someone tells me something
I don’t understand, and when I hear
and still don’t understand, I get angry.
He would too, which is a sort of funny
brotherly trait that gave our parents hell.
And for the rest of our lives we’ll be forced
to try balancing the gaping hole
shot through our lives, loving him still,
forever lost in wonder at what he would
be like, even now he’s lost.

I’m horrified of being judged; that people
will stare at the bumps on my face. Were you too?
Would you still be? I’m scared of spiders,
bees, and wasps, but you would squash them all.
I’m mostly afraid of failure.
I’m not so scared of ghosts and you were,
but if I didn’t write this down,
I’d fail my brother,

I’d fail you.

2 comments:

  1. I really like it. It seems very personal.

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  2. I like a lot about this poem.
    1.) The recurring image of holes. Hole in eyelid and "hole shot through our lives." I'm wondering if there are other places where this motif could be included without being grotesque.

    2.) I like the alternating focus of each stanza (from "I" to "My little brother"). It creates a nice symmetry. Also the line counts of each stanza contribute to this symmetry. I thought first of suggesting an additional marker to break the parts (numbers, etc.), but now I think I like it as is.

    3.) I LOVE "the hole which let him cheat at hide-n-go-seek". What a fortunate way of describing that.

    4.) Rachel is right. This is hugely personal. It comes across as your struggle to deal with the event (even years later) more so than some kind of tribute. At first, I wasn't sure how I felt about your focus being split between you and your brother, but I think I like it now. Your title establishes an expectation: Dear Brother. You're writing TO him, not about him. Of course you'll talk about yourself.

    5.) One thing I may look at again: You shift person when talking about your brother. At first, the poem is addressed directly TO him (the title, the opening lines and the use of the second person pronoun), but then you go with third person a bit later (My little brother). The way you shift is consistent (paragraphs about you refer to him directly, paragraphs about him refer to him in third person), like at times you are asking for advice and at others you are drawing your own conclusions from his experience. I wonder what it could be like if the person was consolidated, making the whole thing either more direct or more reminiscent. I don't know that I would change it for good, but it may be an interesting way to play with the piece a bit.

    Overall, I really like this is a first draft. There are several great images/ moments. I could write more, I guess, but I'll save those comments for another draft.

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